“To me, Lou stood out. The real deal! Something important to American music and to ALL MUSIC! I miss him and his dog.” – Keith Richards

In honor of Lou Reed’s birthday, Keith Richards has recorded a cover of “I’m Waiting for the Man.” The digital single & music video are out now and featured on the upcoming album The Power of the Heart: A Tribute to Lou Reed, which includes newly recorded covers from Keith Richards, Joan Jett and the Blackhearts, Rufus Wainwright, Lucinda Williams, Maxim Ludwig & Angel Olsen, Rickie Lee Jones, Mary Gauthier, Bobby Rush, Automatic, The Afghan Whigs, and Rosanne Cash. This special collection will be released by Light in the Attic Records and available on Vinyl & CD at fine independent record shops worldwide on Record Store Day (April 20th). It goes without saying that the legendary Lou Reed was a true rock ’n’ roll pioneer. From The Velvet Underground’s debut in 1967 all the way through the end of his days, Reed sang truth from his heart. He lived life to the limit—and then some. The Power of the Heart is a tribute to Reed’s freedom of expression with covers spanning his groundbreaking years with the Velvets into his majestic solo career. Each track is a glorious extension of the Rock ’n’ Roll Animal’s soul, ever adventurous and avant-garde. Session footage edited by Don Fleming

April 9th 2017

FROM: KEITH RICHARDS

– To Put Chuck Berry into words! That is a task.

If I flip the coin and wonder how the fuck Chuck Berry reacted to me when he first heard my feeble efforts to spread his groove, my guess is a disdainful chuckle and then a gleam as he imagined the royalties roll in. Then a realization that his music was far more important than he had ever imagined. (He did thank me for that). And, let’s face it, Chuck had imagination. Just check the songs. All is revealed on “Monkey Business”, “Wee Wee hours”, “Jo Jo Gunne”, “You Can’t Catch me”, “Childhood Sweetheart”… let alone on “Johnny B. Goode”, “Little Queenie” or “Around & Around”. It goes on and on: “Let it Rock”, “Sweet Little Sixteen” or the heartbreaking “Memphis.”

You have to hear the original recordings to get the whole picture. Let us make no mistake about him. His inventiveness, natural exuberance, brought all of the variations of this vital music together, be it Rockabilly, country, R & B, Jazz or pop. His own roots went wide and deep, even back via Louis Jordan to the big bands. But we’re talking about a complicated and thoughtful man here. Listen to “No Money Down”, the incredible “Bye Bye Johnny” with its reversed riff. As a lyricist his imagination, the themes and subject matter took songwriting to a level yet to be matched. Who else could come up with “Too Much Monkey Business”. Throw in as well “No Money Down”, “Memphis, Tennessee” and “You Can’t Catch Me” … a song that John Lennon reworked with “Come Together”. And then there were the guys he worked with; Johnny Johnson, on piano, an icon of boogie and feel; Willie Dixon, the BASSMAN!; Freddie Below and Ebbie Harding on drums.

He was a very guarded and private man, essentially warm hearted, though he spent a lot of time disguising that fact which could give the opposite impression. Hard to know, moody, but when you got him at the right time, beautifully friendly. It’s hard to find the words to describe his contradictions: warm, infuriating, moody, disarmingly charming, angry . He once gave me a black eye for daring to touch his guitar. Quite Right!!! I called it Chuck’s greatest Hit.

At the moment I sense the same feeling I had at 15 years old when Buddy Holly died. A sickening thud to the guts and a feeling of losing a member of the family. For me the world went from black to white to glorious Technicolor when I first heard “Little Queenie”. There was no doubt in my mind: It was obvious what I had to do and I haven’t changed since. The effortless ease with which he laid down the rhythm makes a mockery of countless grimacing lip biting agonizing imitators.
I’m still working on it.

He brought joy to us; the feeling for a fifteen year old guitar player that there was more to life than seemed possible. With the exuberance, he brought a casual ease and a rhythm that makes bits of your body move you didn’t know you had. In essence, he was a revelation. I ain’t 15 no more but the joy remains.

finalmente, vi o documentário “lambert & stamp” que está no cardápio do NOW… é o seguinte: CABRIOCÁRICO, ESTONTEANTE, BRUTAL, MARAVILHOSO… impressionante a trajetória de kit lambert e chris stamp como responsáveis pelo the who e, de quebra, pelo lançamento de jimi hendrix. mas, até aí, nada de mais (?!), o fundamental no documentário é a forma anti-padronização usada por eles para tornar realidade sonhos-desejos-maluquices-fissuras. caramba, kit e chris foram dois dos maiores malucos (em todos os sentidos) do entretenimento terráqueo… não deixe de conferir como o mundo girava no século passado e como certas pessoas impregnaram nossas vidinhas forévis… mesmo que você nunca tenha tido nenhuma suspeita disso.

por falar em fio desencapado, o próximo da fila é…

cena do filme cocksucker blues de robert frank!

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