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ahhhhh, tá… beleza, logo logo, melhora…

 

mas e uma biscate msm tomo no cu filha da puta………….
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Você também seu troxa, vem bancar o machão aqui em Sampa
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essa biscate que xingo o goleiro tem qe mofar na prisao e outra nao to defendendo ela nao….
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+Dinho Sampa oo pau no cu primeiro intenda o comentário pra depois pagar um de maxinho ta fdp
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+GeNiLsOn SiLvA coloca ela numa jaula com um bocado de negão,kkkkk
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+Dinho Sampa
Cala a Boca seu Merda Analfabeto, Olha o comentario pra depois vim falar merda.
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Ela esta certíssima, na minha opinião esse assunto aí e pra distrair o povo pra dilma manipular os votos.
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O povo anda muito milindrado, nos estádios de futebol não deveriam ter essas palhaçadas.

Porque um jogador que provavelmente ganha 20x mais que a garota (mesmo tendo um trabalho inútil) se ofendeu só porque foi chamado de macaco?

Chamar o técnico de filho da p…  mandar o juiz tomar no c… ou chamar o atacante de viado. Pode sem problemas algum certo? Mas a palavra macaco virou uma ofensa proibida, a palavra que ninguém pode pronunciar …

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A diferença é que ele se sentiu ofendido e “denunciou” né amigo …

Pq o juiz , jogador e o técnico não vão lá e fazem o mesmo ?

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esse país é um lixo. ela agiu errado e foi no calor do momento.a mídia quer armar o circo pra vender noticia, mas ninguém denuncia politicos corruptos  voto nulo sempre.
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Não adianta só falar , tem que por em prática.
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por que e racismo fera, segundo a nossa legislaçao racismo e crime. so pra constar.
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+diego augusto Injuria tb só para constar.

Só que racismo da mais likes no facebook. Porque se um árbitro de futebol reclamar de injúria quando xingarem a mãe dele, o pessoal vai rir da situação.

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O CARA É UM BOSTA ! SÓ  QUIS APARECER NO FANTASTICO…………………..ACABEI VE O FDPT
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entao vamos lá: as ofenças que mais ofende os seres humanos é ser comparado a um animal irracional.Entao temos que parar de xingar viado que caracteriza humilhar os homossexuais..homofobia..OK concordo respeito…agora nao me venha censurar  o filho da puta pq ai é foda!!!
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Viado é animal agora ?
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Ah para ele fica fazendo ceninha roubaram do Grêmio esses paulistas fdp vivem falando mal do sul tem mais xingar mesmo esse goleirinho de segunda divisão tem a volta agora seus lixo vamo socar vocês eh o Grêmioo caralho….
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Aushsjshshs come a peka da tua mãe.
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Gayucho gosta de rola…

mercado roedor…

ontem, na pastelaria, apareceu o JJ (joão jorge)… monumento do mercado imobiliário que estava sumidão!

entre as muitas novidades contadas pela lenda, pipocou a seguinte (nas letrinhas do próprio):

– “vou dizer o seguinte, as ratazanas estão se mandando do DF. a rapaziada que mama nas tetas do governo, há anos,

já está  prevendo que a sopa acabará logo logo e começa a desmontar acampamento. conclusão, há muito tempo não vejo

tanto imóvel ser comprado no rio por gente de brasília… é a fuga!

o aNiversariante…

Assunto: Em lágrimas
“Que isso Mauval, que emoção!
Felizaço aqui ouvindo o roNca #91 atendendo a pedidos de aniversário! Obrigadão pela homenagem! Foi ótimo ouvir o Cordel e ainda mais no finalzinho do programa, o #91 foi inteiro cabeleira altíssima. Gostei não só dos sons, mas da conversa e a reflexão sobre um mal dos nossos tempos, de uma turma dizendo o que bem entende e ouvindo o que não quer em casa, diante do computador e levando isso pra rua. Era de se esperar que ia dar nisso! Precisamos de um reset gigantesco numa galera, infelizmente!
Eu já tinha falado com minha namorada Bárbara (inclusive ontem eu estava na casa dela e não consegui ouvir o programa ao vivo porém gravado) que esse foi o melhor aniversário da minha vida e agora você fez ele se tornar mais especial ainda!
Um grande abraço,
Tamo junto!”
Jenilson – Santa Luzia – MG

#91(l.rodrigues+g.parker+l.donaldson+t.heads+t.frança)…

escorreu tranquilão esse #91!

quer dizer…

maomé, já que o grande momento no programa foi quando shogun levantou a possibilidade do aranha (goleiro do santos)

ser assim assim chamado por conta do macaco aranha!

realmente, uma aula de zoologia & periféricos! mamãe!

segura, “janeliNha & bula” do #91…

o terno – “bote ao contrário”

o terno & tom zé – “medo do medo”

jess roden & the meters – “sad story”

stewart copeland & stan ridgway – “don’t box me in” (12″)

django django – “hail bop”

apanhador só – “rota”

thiago frança – “VIII”

shilpa ray – “mother is a misanthrope” (10″)

lou donaldson – “good gracious”

graham parker – “new york shuffle” (ao vivo)

graham parker – “soul shoes” (ao vivo)

king midas sound – “darlin”

lupicínio rodrigues – “tola”

abayomy afrobeat orquestra – “malunguinho”

joan armatrading – “back to the night”

os mutantes – “mande um abraço pra velha”

talking heads – “cities”

the fall – “rebellious jukebox” (peel session / 1978)

talking heads – “life during wartime”

cordel do fogo encantado – “ela disse assim”

a grosseria…

Columbia Records/Legacy Recordings will release Bob Dylan’s The Basement Tapes Complete: The Bootleg Series Vol. 11 on November 4. Compiled from meticulously restored original tapes – many found only recently – this historic six-disc set is the definitive chronicle of the artist’s legendary 1967 recording sessions with members of his touring ensemble who would later achieve their own fame as The Band.

The Basement Tapes Raw: The Bootleg Series Vol. 11, a two-disc version of highlights from the deluxe edition, will also be released on November 4. This will also be issued as a 3 LP set on 180-gram vinyl.

Among Bob Dylan’s many cultural milestones, the legendary Basement Tapes have long fascinated and enticed successive generations of musicians, fans and cultural critics alike. Having transformed music and culture during the early 1960s, Dylan reached unparalleled heights across 1965 and 1966 through the release of three historic albums, the groundbreaking watershed single “Like A Rolling Stone,” a controversial and legendary ‘electric’ performance at the 1965 Newport Folk Festival and wildly polarizing tours of the United States, Europe and the United Kingdom. Dylan’s mercurial rise and prodigious outpouring of work during that decade came to an abrupt halt in July 1966 when he was reported to have been in a serious motorcycle accident in upstate New York.

Recovering from his injuries and away from the public eye for the first time in years, Dylan ensconced himself, along with Robbie Robertson, Rick Danko, Richard Manuel, Garth Hudson and, later, Levon Helm, in the basement of a small house, dubbed “Big Pink” by the group, in West Saugerties, New York. This collective, which would come to be known as Bob Dylan and The Band, recorded more than a hundred songs over the next several months including traditional covers, wry and humorous ditties, off-the cuff performances and, most important, dozens of newly-written Bob Dylan songs, including future classics “I Shall Be Released,” “The Mighty Quinn,” “This Wheel’s On Fire” and “You Ain’t Going Nowhere.”

When rumors and rare acetates of some of these recordings began surfacing, it created a curiosity strong enough to fuel an entirely new segment of the music business: the bootleg record. In 1969, an album mysteriously titled Great White Wonder began showing up in record shops around the country, and Dylan’s music from the summer of 1967 began seeping into the fabric of popular culture, penetrating the souls of music lovers everywhere. With each passing year, more and more fans sought out this rare contraband, desperate to hear this new music from the legendary Bob Dylan.

The actual recordings, however, remained commercially unavailable until 1975, when Columbia Records released a scant 16 of them on The Basement Tapes album (that album also included eight new songs by The Band, without Dylan).

A critical and popular success, The Basement Tapes went Top 10 in the US and UK, with John Rockwell, of The New York Times, calling it “one of the greatest albums in the history of American popular music,” Paul Nelson, in Rolling Stone, praising the tracks as “the hardest, toughest, sweetest, saddest, funniest, wisest songs I know”‘ and the Washington Post noting that “…Dylan has to rank as the single greatest artist modern American pop music has produced.” Robert Christgau gave the album an A+ rating in the Village Voice, where it topped the annual Pazz & Jop Critics Poll.

Over the years, the songs on The Basement Tapes have haunted and perplexed fans, with the recordings themselves representing a Holy Grail for Dylanologists. What’s on the rest of those reels?

The Basement Tapes Complete brings together, for the first time ever, every salvageable recording from the tapes including recently discovered early gems recorded in the “Red Room” of Dylan’s home in upstate New York. Garth Hudson worked closely with Canadian music archivist and producer Jan Haust to restore the deteriorating tapes to pristine sound, with much of this music preserved digitally for the first time.

The decision was made to present The Basement Tapes Complete as intact as possible. Also, unlike the official 1975 release, these performances are presented as close as possible to the way they were originally recorded and sounded back in the summer of 1967. The tracks on The Basement Tapes Complete run in mostly chronological order based on Garth Hudson’s numbering system.

BOB DYLAN – THE BASEMENT TAPES COMPLETE:
THE BOOTLEG SERIES VOL. 11

(all songs written by Bob Dylan unless otherwise noted)

CD 1
1. Edge of the Ocean
2. My Bucket’s Got a Hole in It (written by Clarence Williams)
3. Roll on Train
4. Mr. Blue (written by Dewayne Blackwell)
5. Belshazzar (written by Johnny Cash)
6. I Forgot to Remember to Forget (written by Charlie A Feathers and Stanley A Kesler)
7. You Win Again (written by Hank Williams)
8. Still in Town (written by Hank Cochran and Harlan Howard)
9. Waltzing with Sin (written by Sonny Burns and Red Hayes)
10. Big River (Take 1) (written by Johnny Cash)
11. Big River (Take 2) (written by Johnny Cash)
12. Folsom Prison Blues (written by Johnny Cash)
13. Bells of Rhymney (written by Idris Davies and Peter Seeger)
14. Spanish is the Loving Tongue
15. Under Control
16. Ol’ Roison the Beau (Traditional, arranged by Bob Dylan)
17. I’m Guilty of Loving You
18. Cool Water (written by Bob Nolan)
19. The Auld Triangle (written by Brendan Francis Behan)
20. Po’ Lazarus (Traditional, arranged by Bob Dylan)
21. I’m a Fool for You (Take 1)
22. I’m a Fool for You (Take 2)

CD 2
1. Johnny Todd (Traditional, arranged by Bob Dylan)
2. Tupelo (written by John Lee Hooker)
3. Kickin’ My Dog Around (Traditional, arranged by Bob Dylan)
4. See You Later Allen Ginsberg (Take 1)
5. See You Later Allen Ginsberg (Take 2)
6. Tiny Montgomery
7. Big Dog
8. I’m Your Teenage Prayer
9. Four Strong Winds (written by Ian Tyson)
10. The French Girl (Take 1) (written by Ian Tyson and Sylvia Tyson)
11. The French Girl (Take 2) (written by Ian Tyson and Sylvia Tyson)
12. Joshua Gone Barbados (written by Eric Von Schmidt)
13. I’m in the Mood (written by Bernard Besman and John Lee Hooker)
14. Baby Ain’t That Fine (written by Dallas Frazier)
15. Rock, Salt and Nails (written by Bruce Phillips)
16. A Fool Such As I (written by William Marvin Trader)
17. Song for Canada (written by Pete Gzowski and Ian Tyson)
18. People Get Ready (written by Curtis L Mayfield)
19. I Don’t Hurt Anymore (written By Donald I Robertson and Walter E Rollins)
20. Be Careful of Stones That You Throw (written by Benjamin Lee Blankenship)
21. One Man’s Loss
22. Lock Your Door
23. Baby, Won’t You be My Baby
24. Try Me Little Girl
25. I Can’t Make it Alone
26. Don’t You Try Me Now

CD 3
1. Young but Daily Growing (Traditional, arranged by Bob Dylan)
2. Bonnie Ship the Diamond (Traditional, arranged by Bob Dylan)
3. The Hills of Mexico (Traditional, arranged by Bob Dylan)
4. Down on Me (Traditional, arranged by Bob Dylan)
5. One for the Road
6. I’m Alright
7. Million Dollar Bash (Take 1)
8. Million Dollar Bash (Take 2)
9. Yea! Heavy and a Bottle of Bread (Take 1)
10. Yea! Heavy and a Bottle of Bread (Take 2)
11. I’m Not There
12. Please Mrs. Henry
13. Crash on the Levee (Take 1)
14. Crash on the Levee (Take 2)
15. Lo and Behold! (Take 1)
16. Lo and Behold! (Take 2)
17. You Ain’t Goin’ Nowhere (Take 1)
18. You Ain’t Goin’ Nowhere (Take 2)
19. I Shall be Released (Take 1)
20. I Shall be Released (Take 2)
21. This Wheel’s on Fire (written by Bob Dylan and Rick Danko)
22. Too Much of Nothing (Take 1)
23. Too Much of Nothing (Take 2)

CD 4
1. Tears of Rage (Take 1) (written by Bob Dylan and Richard Manuel)
2. Tears of Rage (Take 2) (written by Bob Dylan and Richard Manuel)
3. Tears of Rage (Take 3) (written by Bob Dylan and Richard Manuel)
4. Quinn the Eskimo (Take 1)
5. Quinn the Eskimo (Take 2)
6. Open the Door Homer (Take 1)
7. Open the Door Homer (Take 2)
8. Open the Door Homer (Take 3)
9. Nothing Was Delivered (Take 1)
10. Nothing Was Delivered (Take 2)
11. Nothing Was Delivered (Take 3)
12. All American Boy (written by Bobby Bare)
13. Sign on the Cross
14. Odds and Ends (Take 1)
15. Odds and Ends (Take 2)
16. Get Your Rocks Off
17. Clothes Line Saga
18. Apple Suckling Tree (Take 1)
19. Apple Suckling Tree (Take 2)
20. Don’t Ya Tell Henry
21. Bourbon Street

CD 5
1. Blowin’ in the Wind
2. One Too Many Mornings
3. A Satisfied Mind (written by Joe Hayes and Jack Rhodes)
4. It Ain’t Me, Babe
5. Ain’t No More Cane (Take 1) (Traditional, arranged by Bob Dylan)
6. Ain’t No More Cane (Take 2) (Traditional, arranged by Bob Dylan)
7. My Woman She’s A-Leavin’
8. Santa-Fe
9. Mary Lou, I Love You Too
10. Dress it up, Better Have it All
11. Minstrel Boy
12. Silent Weekend
13. What’s it Gonna be When it Comes Up
14. 900 Miles from My Home (Traditional, arranged by Bob Dylan)
15. Wildwood Flower (written by A.P. Carter)
16. One Kind Favor (Traditional, arranged by Bob Dylan)
17. She’ll be Coming Round the Mountain (Traditional, arranged by Bob Dylan)
18. It’s the Flight of the Bumblebee
19. Wild Wolf
20. Goin’ to Acapulco
21. Gonna Get You Now
22. If I Were A Carpenter (written by James Timothy Hardin)
23. Confidential (written by Dorina Morgan)
24. All You Have to do is Dream (Take 1)
25. All You Have to do is Dream (Take 2)

CD 6
1. 2 Dollars and 99 Cents
2. Jelly Bean
3. Any Time
4. Down by the Station
5. Hallelujah, I’ve Just Been Moved (Traditional, arranged by Bob Dylan)
6. That’s the Breaks
7. Pretty Mary
8. Will the Circle be Unbroken (written by A.P. Carter)
9. King of France
10. She’s on My Mind Again
11. Goin’ Down the Road Feeling Bad (Traditional, arranged by Bob Dylan)
12. On a Rainy Afternoon
13. I Can’t Come in with a Broken Heart
14. Next Time on the Highway
15. Northern Claim
16. Love is Only Mine
17. Silhouettes (written by Bob Crewe and Frank C Slay Jr.)
18. Bring it on Home
19. Come All Ye Fair and Tender Ladies (Traditional, arranged by Bob Dylan)
20. The Spanish Song (Take 1)
21. The Spanish Song (Take 2)

* * * * *

BOB DYLAN- THE BASEMENT TAPES RAW:
THE BOOTLEG SERIES VOL. 11

(all songs written by Bob Dylan unless otherwise noted)

CD 1
1. Open the Door, Homer (Restored version)
2. Odds and Ends (Alternate version)
3. Million Dollar Bash (Alternate version)
4. One Too Many Mornings (Unreleased)
5. I Don’t Hurt Anymore (Unreleased) (written by Donald I Robertson and Walter E Rollins)
6. Ain’t No More Cane (Alternate version) (Traditional, arranged by Bob Dylan)
7. Crash on the Levee (Restored version)
8. Tears of Rage (Without overdubs) (written by Bob Dylan and Richard Manuel)
9. Dress it up, Better Have it All (Unreleased)
10. I’m Not There (Previously released)
11. Johnny Todd (Unreleased) (Traditional, arranged by Bob Dylan)
12. Too Much of Nothing (Alternate version)
13. Quinn the Eskimo (Restored version)
14. Get Your Rocks Off (Unreleased)
15. Santa-Fe (Previously released)
16. Silent Weekend (Unreleased)
17. Clothes Line Saga (Restored version)
18. Please, Mrs. Henry (Restored version)
19. I Shall be Released (Restored version)

CD 2
1. You Ain’t Goin’ Nowhere (Alternate version)
2. Lo and Behold! (Alternate version)
3. Minstrel Boy (Previously released)
4. Tiny Montgomery (Without overdubs)
5. All You Have to do is Dream (Unreleased)
6. Goin’ to Acapulco (Without overdubs)
7. 900 Miles from My Home (Unreleased) (Traditional, arranged by Bob Dylan)
8. One for the Road (Unreleased)
9. I’m Alright (Unreleased)
10. Blowin’ in the Wind (Unreleased)
11. Apple Suckling Tree (Restored version)
12. Nothing Was Delivered (Restored version)
13. Folsom Prison Blues (Unreleased) (written by Johnny Cash)
14. This Wheel’s on Fire (Without overdubs) (written by Bob Dylan and Rick Danko)
15. Yea! Heavy and a Bottle of Bread (Restored version)
16. Don’t Ya Tell Henry (Alternate version)
17. Baby, Won’t You be My Baby (Unreleased)
18. Sign on the Cross (Unreleased)
19. You Ain’t Goin’ Nowhere (Without overdubs)

Musicians:
Bob Dylan
Robbie Robertson
Rick Danko
Richard Manuel
Garth Hudson
Levon Helm

(Lead vocals are sung by Bob Dylan. Harmony and instrumentation are unknown because all involved were multi-instrumentalists and vocalists, and no records remain.)

bobdylan.com

da maré…

“Salve Maurício!

Ver essa série de fotos que fez sobre alguns fotógrafos brasileiros me fez lembrar desse filme, já viu? Assisti novamente semana passada, caso não tenha visto, vale a pena    https://www.youtube.com/watch?v=HWIIlgpEFWY
Outro que vi por esses dias foi esse ótimo documentário sobre a origem do “krautrock”.O filme tem apenas um defeito:é muito curto!Deveria ter umas três horas de duração.Só a parte do Can já valeria o “ingresso”, rs…
Abraço, até +”
 z´
(da mar´)