Arquivo da tag: bob dylan

a grosseria…

Columbia Records/Legacy Recordings will release Bob Dylan’s The Basement Tapes Complete: The Bootleg Series Vol. 11 on November 4. Compiled from meticulously restored original tapes – many found only recently – this historic six-disc set is the definitive chronicle of the artist’s legendary 1967 recording sessions with members of his touring ensemble who would later achieve their own fame as The Band.

The Basement Tapes Raw: The Bootleg Series Vol. 11, a two-disc version of highlights from the deluxe edition, will also be released on November 4. This will also be issued as a 3 LP set on 180-gram vinyl.

Among Bob Dylan’s many cultural milestones, the legendary Basement Tapes have long fascinated and enticed successive generations of musicians, fans and cultural critics alike. Having transformed music and culture during the early 1960s, Dylan reached unparalleled heights across 1965 and 1966 through the release of three historic albums, the groundbreaking watershed single “Like A Rolling Stone,” a controversial and legendary ‘electric’ performance at the 1965 Newport Folk Festival and wildly polarizing tours of the United States, Europe and the United Kingdom. Dylan’s mercurial rise and prodigious outpouring of work during that decade came to an abrupt halt in July 1966 when he was reported to have been in a serious motorcycle accident in upstate New York.

Recovering from his injuries and away from the public eye for the first time in years, Dylan ensconced himself, along with Robbie Robertson, Rick Danko, Richard Manuel, Garth Hudson and, later, Levon Helm, in the basement of a small house, dubbed “Big Pink” by the group, in West Saugerties, New York. This collective, which would come to be known as Bob Dylan and The Band, recorded more than a hundred songs over the next several months including traditional covers, wry and humorous ditties, off-the cuff performances and, most important, dozens of newly-written Bob Dylan songs, including future classics “I Shall Be Released,” “The Mighty Quinn,” “This Wheel’s On Fire” and “You Ain’t Going Nowhere.”

When rumors and rare acetates of some of these recordings began surfacing, it created a curiosity strong enough to fuel an entirely new segment of the music business: the bootleg record. In 1969, an album mysteriously titled Great White Wonder began showing up in record shops around the country, and Dylan’s music from the summer of 1967 began seeping into the fabric of popular culture, penetrating the souls of music lovers everywhere. With each passing year, more and more fans sought out this rare contraband, desperate to hear this new music from the legendary Bob Dylan.

The actual recordings, however, remained commercially unavailable until 1975, when Columbia Records released a scant 16 of them on The Basement Tapes album (that album also included eight new songs by The Band, without Dylan).

A critical and popular success, The Basement Tapes went Top 10 in the US and UK, with John Rockwell, of The New York Times, calling it “one of the greatest albums in the history of American popular music,” Paul Nelson, in Rolling Stone, praising the tracks as “the hardest, toughest, sweetest, saddest, funniest, wisest songs I know”‘ and the Washington Post noting that “…Dylan has to rank as the single greatest artist modern American pop music has produced.” Robert Christgau gave the album an A+ rating in the Village Voice, where it topped the annual Pazz & Jop Critics Poll.

Over the years, the songs on The Basement Tapes have haunted and perplexed fans, with the recordings themselves representing a Holy Grail for Dylanologists. What’s on the rest of those reels?

The Basement Tapes Complete brings together, for the first time ever, every salvageable recording from the tapes including recently discovered early gems recorded in the “Red Room” of Dylan’s home in upstate New York. Garth Hudson worked closely with Canadian music archivist and producer Jan Haust to restore the deteriorating tapes to pristine sound, with much of this music preserved digitally for the first time.

The decision was made to present The Basement Tapes Complete as intact as possible. Also, unlike the official 1975 release, these performances are presented as close as possible to the way they were originally recorded and sounded back in the summer of 1967. The tracks on The Basement Tapes Complete run in mostly chronological order based on Garth Hudson’s numbering system.

BOB DYLAN – THE BASEMENT TAPES COMPLETE:
THE BOOTLEG SERIES VOL. 11
(all songs written by Bob Dylan unless otherwise noted)

CD 1
1. Edge of the Ocean
2. My Bucket’s Got a Hole in It (written by Clarence Williams)
3. Roll on Train
4. Mr. Blue (written by Dewayne Blackwell)
5. Belshazzar (written by Johnny Cash)
6. I Forgot to Remember to Forget (written by Charlie A Feathers and Stanley A Kesler)
7. You Win Again (written by Hank Williams)
8. Still in Town (written by Hank Cochran and Harlan Howard)
9. Waltzing with Sin (written by Sonny Burns and Red Hayes)
10. Big River (Take 1) (written by Johnny Cash)
11. Big River (Take 2) (written by Johnny Cash)
12. Folsom Prison Blues (written by Johnny Cash)
13. Bells of Rhymney (written by Idris Davies and Peter Seeger)
14. Spanish is the Loving Tongue
15. Under Control
16. Ol’ Roison the Beau (Traditional, arranged by Bob Dylan)
17. I’m Guilty of Loving You
18. Cool Water (written by Bob Nolan)
19. The Auld Triangle (written by Brendan Francis Behan)
20. Po’ Lazarus (Traditional, arranged by Bob Dylan)
21. I’m a Fool for You (Take 1)
22. I’m a Fool for You (Take 2)

CD 2
1. Johnny Todd (Traditional, arranged by Bob Dylan)
2. Tupelo (written by John Lee Hooker)
3. Kickin’ My Dog Around (Traditional, arranged by Bob Dylan)
4. See You Later Allen Ginsberg (Take 1)
5. See You Later Allen Ginsberg (Take 2)
6. Tiny Montgomery
7. Big Dog
8. I’m Your Teenage Prayer
9. Four Strong Winds (written by Ian Tyson)
10. The French Girl (Take 1) (written by Ian Tyson and Sylvia Tyson)
11. The French Girl (Take 2) (written by Ian Tyson and Sylvia Tyson)
12. Joshua Gone Barbados (written by Eric Von Schmidt)
13. I’m in the Mood (written by Bernard Besman and John Lee Hooker)
14. Baby Ain’t That Fine (written by Dallas Frazier)
15. Rock, Salt and Nails (written by Bruce Phillips)
16. A Fool Such As I (written by William Marvin Trader)
17. Song for Canada (written by Pete Gzowski and Ian Tyson)
18. People Get Ready (written by Curtis L Mayfield)
19. I Don’t Hurt Anymore (written By Donald I Robertson and Walter E Rollins)
20. Be Careful of Stones That You Throw (written by Benjamin Lee Blankenship)
21. One Man’s Loss
22. Lock Your Door
23. Baby, Won’t You be My Baby
24. Try Me Little Girl
25. I Can’t Make it Alone
26. Don’t You Try Me Now

CD 3
1. Young but Daily Growing (Traditional, arranged by Bob Dylan)
2. Bonnie Ship the Diamond (Traditional, arranged by Bob Dylan)
3. The Hills of Mexico (Traditional, arranged by Bob Dylan)
4. Down on Me (Traditional, arranged by Bob Dylan)
5. One for the Road
6. I’m Alright
7. Million Dollar Bash (Take 1)
8. Million Dollar Bash (Take 2)
9. Yea! Heavy and a Bottle of Bread (Take 1)
10. Yea! Heavy and a Bottle of Bread (Take 2)
11. I’m Not There
12. Please Mrs. Henry
13. Crash on the Levee (Take 1)
14. Crash on the Levee (Take 2)
15. Lo and Behold! (Take 1)
16. Lo and Behold! (Take 2)
17. You Ain’t Goin’ Nowhere (Take 1)
18. You Ain’t Goin’ Nowhere (Take 2)
19. I Shall be Released (Take 1)
20. I Shall be Released (Take 2)
21. This Wheel’s on Fire (written by Bob Dylan and Rick Danko)
22. Too Much of Nothing (Take 1)
23. Too Much of Nothing (Take 2)

CD 4
1. Tears of Rage (Take 1) (written by Bob Dylan and Richard Manuel)
2. Tears of Rage (Take 2) (written by Bob Dylan and Richard Manuel)
3. Tears of Rage (Take 3) (written by Bob Dylan and Richard Manuel)
4. Quinn the Eskimo (Take 1)
5. Quinn the Eskimo (Take 2)
6. Open the Door Homer (Take 1)
7. Open the Door Homer (Take 2)
8. Open the Door Homer (Take 3)
9. Nothing Was Delivered (Take 1)
10. Nothing Was Delivered (Take 2)
11. Nothing Was Delivered (Take 3)
12. All American Boy (written by Bobby Bare)
13. Sign on the Cross
14. Odds and Ends (Take 1)
15. Odds and Ends (Take 2)
16. Get Your Rocks Off
17. Clothes Line Saga
18. Apple Suckling Tree (Take 1)
19. Apple Suckling Tree (Take 2)
20. Don’t Ya Tell Henry
21. Bourbon Street

CD 5
1. Blowin’ in the Wind
2. One Too Many Mornings
3. A Satisfied Mind (written by Joe Hayes and Jack Rhodes)
4. It Ain’t Me, Babe
5. Ain’t No More Cane (Take 1) (Traditional, arranged by Bob Dylan)
6. Ain’t No More Cane (Take 2) (Traditional, arranged by Bob Dylan)
7. My Woman She’s A-Leavin’
8. Santa-Fe
9. Mary Lou, I Love You Too
10. Dress it up, Better Have it All
11. Minstrel Boy
12. Silent Weekend
13. What’s it Gonna be When it Comes Up
14. 900 Miles from My Home (Traditional, arranged by Bob Dylan)
15. Wildwood Flower (written by A.P. Carter)
16. One Kind Favor (Traditional, arranged by Bob Dylan)
17. She’ll be Coming Round the Mountain (Traditional, arranged by Bob Dylan)
18. It’s the Flight of the Bumblebee
19. Wild Wolf
20. Goin’ to Acapulco
21. Gonna Get You Now
22. If I Were A Carpenter (written by James Timothy Hardin)
23. Confidential (written by Dorina Morgan)
24. All You Have to do is Dream (Take 1)
25. All You Have to do is Dream (Take 2)

CD 6
1. 2 Dollars and 99 Cents
2. Jelly Bean
3. Any Time
4. Down by the Station
5. Hallelujah, I’ve Just Been Moved (Traditional, arranged by Bob Dylan)
6. That’s the Breaks
7. Pretty Mary
8. Will the Circle be Unbroken (written by A.P. Carter)
9. King of France
10. She’s on My Mind Again
11. Goin’ Down the Road Feeling Bad (Traditional, arranged by Bob Dylan)
12. On a Rainy Afternoon
13. I Can’t Come in with a Broken Heart
14. Next Time on the Highway
15. Northern Claim
16. Love is Only Mine
17. Silhouettes (written by Bob Crewe and Frank C Slay Jr.)
18. Bring it on Home
19. Come All Ye Fair and Tender Ladies (Traditional, arranged by Bob Dylan)
20. The Spanish Song (Take 1)
21. The Spanish Song (Take 2)

* * * * *

BOB DYLAN- THE BASEMENT TAPES RAW:
THE BOOTLEG SERIES VOL. 11
(all songs written by Bob Dylan unless otherwise noted)

CD 1
1. Open the Door, Homer (Restored version)
2. Odds and Ends (Alternate version)
3. Million Dollar Bash (Alternate version)
4. One Too Many Mornings (Unreleased)
5. I Don’t Hurt Anymore (Unreleased) (written by Donald I Robertson and Walter E Rollins)
6. Ain’t No More Cane (Alternate version) (Traditional, arranged by Bob Dylan)
7. Crash on the Levee (Restored version)
8. Tears of Rage (Without overdubs) (written by Bob Dylan and Richard Manuel)
9. Dress it up, Better Have it All (Unreleased)
10. I’m Not There (Previously released)
11. Johnny Todd (Unreleased) (Traditional, arranged by Bob Dylan)
12. Too Much of Nothing (Alternate version)
13. Quinn the Eskimo (Restored version)
14. Get Your Rocks Off (Unreleased)
15. Santa-Fe (Previously released)
16. Silent Weekend (Unreleased)
17. Clothes Line Saga (Restored version)
18. Please, Mrs. Henry (Restored version)
19. I Shall be Released (Restored version)

CD 2
1. You Ain’t Goin’ Nowhere (Alternate version)
2. Lo and Behold! (Alternate version)
3. Minstrel Boy (Previously released)
4. Tiny Montgomery (Without overdubs)
5. All You Have to do is Dream (Unreleased)
6. Goin’ to Acapulco (Without overdubs)
7. 900 Miles from My Home (Unreleased) (Traditional, arranged by Bob Dylan)
8. One for the Road (Unreleased)
9. I’m Alright (Unreleased)
10. Blowin’ in the Wind (Unreleased)
11. Apple Suckling Tree (Restored version)
12. Nothing Was Delivered (Restored version)
13. Folsom Prison Blues (Unreleased) (written by Johnny Cash)
14. This Wheel’s on Fire (Without overdubs) (written by Bob Dylan and Rick Danko)
15. Yea! Heavy and a Bottle of Bread (Restored version)
16. Don’t Ya Tell Henry (Alternate version)
17. Baby, Won’t You be My Baby (Unreleased)
18. Sign on the Cross (Unreleased)
19. You Ain’t Goin’ Nowhere (Without overdubs)

Musicians:
Bob Dylan
Robbie Robertson
Rick Danko
Richard Manuel
Garth Hudson
Levon Helm

(Lead vocals are sung by Bob Dylan. Harmony and instrumentation are unknown because all involved were multi-instrumentalists and vocalists, and no records remain.)

bobdylan.com

lançamento

piratão10…

complicadão entender o caboclo aqui em cima, hein?

hahaha…

mas o importante é conhecer o the bootleg series VOL.10, lançado hoje!

segura o cardápio completo:

DISC ONE

1. Went To See The Gypsy (Demo)

2. Little Sadie (Without Overdubs, Self Portrait)

3. Pretty Saro (Unreleased, Self Portrait)

4. Alberta # 3 (Alternate Version, Self Portrait)

5. Spanish Is The Loving Tongue (Unreleased, Self Portrait)

6. Annie’s Going To Sing Her Song (Unreleased, Self Portrait)

7. Time Passes Slowly #1 (Alternate Version, New Morning)

8. Only A Hobo (Unreleased, Greatest Hits II)

9. Minstrel Boy (Unreleased, The Basement Tapes)

10. I Threw It All Away (Alternate Version, Nashville Skyline)

11. Railroad Bill (Unreleased, Self Portrait)

12. Thirsty Boots (Unreleased, Self Portrait)

13. This Evening So Soon (Unreleased, Self Portrait)

14. These Hands (Unreleased, Self Portrait)

15. In Search Of Little Sadie (Without Overdubs, Self Portrait)

16. House Carpenter (Unreleased, Self Portrait)

17. All The Tired Horses (Without Overdubs, Self Portrait)

 

DISC TWO

1. If Not For You (Alternate Version, New Morning)

2. Wallflower (Alternate Version, 1971)

3. Wigwam  (Without Overdubs, Self Portrait)

4. Days Of ’49 (Without Overdubs, Self Portrait)

5. Working On A Guru (Unreleased, New Morning)

6. Country Pie (Alternate Version, Nashville Skyline)

7. I’ll Be Your Baby Tonight (Live with The Band, Isle Of Wight, 1969)

8. Highway 61 Revisited (Live with The Band, Isle Of Wight, 1969)

9. Copper Kettle (Without Overdubs, Self Portrait)

10. Bring Me A Little Water (Unreleased, New Morning)

11. Sign On The Window (With Orchestral Overdubs, New Morning)

12. Tattle O’Day (Unreleased, Self Portrait)

13. If Dogs Run Free (Alternate Version, New Morning)

14. New Morning (With Horn Section Overdubs, New Morning)

15. Went To See The Gypsy (Alternate Version, New Morning)

16. Belle Isle (Without Overdubs, Self Portrait)

17. Time Passes Slowly #2 (Alternate Version, New Morning)

18. When I Paint My Masterpiece (Demo)

 

DISC THREE

The complete, historic “ISLE OF WIGHT” concert, 1969

1. She Belongs To Me

2. I Threw It All Away

3. Maggie’s Farm

4. Wild Mountain Time

5. It Ain’t Me, Babe

6. To Ramona

7. Mr. Tambourine Man

8. I Dreamed I Saw St. Augustine

9. Lay Lady Lay

10. Highway 61 Revisited

11. One Too Many Mornings

12. I Pity The Poor Immigrant

13. Like A Rolling Stone

14. I’ll Be Your Baby Tonight

15. (Quinn The Eskimo) The Mighty Quinn

16. Minstrel Boy

17. Rainy Day Women #12 & 35

 

DISC FOUR

The original “SELF PORTRAIT” release, 1969

1. All The Tired Horses

2. Alberta #1

3. I Forgot More Than You’ll Ever Know

4. Days Of ’49

5. Early Mornin’ Rain

6. In Search Of Little Sadie

7. Let It Be Me

8. Little Sadie

9. Woogie Boogie

10. Belle Isle

11. Living The Blues

12. Like A Rolling Stone

13. Copper Kettle

14. Gotta Travel On

15. Blue Moon

16. The Boxer

17. (Quinn, The Eskimo) The Mighty Quinn

18. Take Me As I Am (Or Let Me Go)

19. Take A Message To Mary

20. It Hurts Me Too

21. Minstrel Boy

22. She Belongs To Me

23. Wigwam

24. Alberta #2

 

lançamento, youtube

diz aí, bob…

( :

“Bob Dylan ran through the 18th century English folk song “Pretty Saro” six consecutive times during the Self Portrait sessions in March 1970, but none of those versions made the final cut for the album and the song remained in Columbia’s vault for the past 43 years. The track never even leaked onto bootlegs, but on August 27th, it’s finally coming out on Another Self Portrait, a 35-track box set of songs cut for Nashville Skyline, Self Portrait and New Morning.”

lançamento, youtube

igor mandou pra gente…

NEW BOB DYLAN ALBUM – TEMPEST – SET FOR SEPTEMBER RELEASE

COLLECTION OF TEN NEW BOB DYLAN SONGS
MARKS MUSICIAN’S 50TH ANNIVERSARY AS A RECORDING ARTIST

Columbia Records announced today that Bob Dylan’s new studio album, Tempest, will be released on September 11, 2012. Featuring ten new and original Bob Dylan songs, the release of Tempest coincides with the 50th Anniversary of the artist’s eponymous debut album, which was released by Columbia in 1962.

Tempest is available for pre-order now on iTunes and Amazon. The new album, produced by Jack Frost, is the 35thth studio set from Bob Dylan, and follows 2009’s worldwide best-seller, Together Through Life.

Bob Dylan’s four previous studio albums have been universally hailed as among the best of his storied career, achieving new levels of commercial success and critical acclaim for the artist. The Platinum-selling Time Out Of Mind from 1997 earned multiple Grammy Awards, including Album Of The Year, while “Love and Theft” continued Dylan’s Platinum streak and earned several Grammy nominations and a statue for Best Contemporary Folk album.

Modern Times, released in 2006, became one of the artist’s most popular albums, selling more than 2.5 million copies worldwide and earning Dylan two more Grammys. Together Through Life became the artist’s first album to debut at #1 in both the U.S. and the UK, as well as in five other countries, on its way to surpassing sales of one million copies.

Those four releases fell within a 12-year creative span that also included the recording of an Oscar- and Golden Globe-winning composition, “Things Have Changed,” from the film Wonder Boys, in 2001; a worldwide best-selling memoir, Chronicles Vol. 1, which spent 19 weeks on the New York Times Best Seller List, in 2004, and a Martin Scorsese-directed documentary, No Direction Home, in 2005. Bob Dylan also released his first collection of holiday standards, Christmas In The Heart, in 2009, with all of the artist’s royalties from that album being donated to hunger charities around the world.

This year, Bob Dylan was the recipient of the Presidential Medal of Freedom, the country’s highest civilian honor. He was awarded a special Pulitzer Prize in 2008 for “his profound impact on popular music and American culture, marked by lyrical compositions of extraordinary poetic power.” He was also the recipient of the French Commandeur des Arts et des Lettres in 1990, Sweden’s Polar Music Award in 2000 and several Doctorates including the University of St. Andrews and Princeton University as well as numerous other honors.

lançamento, torcida

as novidades…

viu o sonho, ali embaixo, né?

van “the man”, tom, leonard & joni… no brasa… juntos… que tal?

mas diante das últimas reações da mídia à visita de bob dylan…

( lembra? neguinho só escreveu sobre as “novidades” da voz rouca, da falta de simpatia, da ausência de hits… lembra?)

… como podemos projetar a contextualização de mister cohen? e de van? hahaha… e de tom waits?

como será processado o fato de nenhum deles (ok, deixei joni de fora deste embate) aparecer com a camisa da seleção canarinha?

ou de, nenhum deles, dizer que é uma honra pisar em solo auriverde? como?

e de nenhum deles tocar no rádio ou aparecer sonorizando o BBB? como?

na boa, conheço gente que espera por esta tchurma há muitos e muitos anos… e que já cravou, em cartório, algo assim:

“se alguém escrever que o show de tom waits foi uma merda pela falta de hits e pela voz rouca dele… eu esquartejo o autor”

“se alguém disser que estranhou a antipatia de van morrison e achou ruim ele não ter cantado com sorriso nos lábios… eu fatio o autor”

“se alguém noticiar que os cabelos de leonard mostram bem que ele deveria estar em casa se tratando… eu arranco o coração do autor”

êita… loucura!

enfim, segura o jeito da imprensa espanhola relatar a presença de bob dylan, semana passada, no festival de benicassim:

GRANDES FESTIVALES DE VERANO

El placer de descubrir la sopa de ajo

Bob Dylan entona sus himnos ante un público al que triplicaba la edad y que mayoritariamente acudía por primera vez a verle en la segunda jornada del FIB

Bob Dylan, en el escenario Maravilllas del FIB. / ANGEL SANCHEZ
Hubo un día en que los festivales, el pop en general, empezaron a hurgar compulsivamente en su propio pasado para encontrar inspiración. Revivals, ropas vintage, conciertos tributo, instagrams y demás artilugios fotográficos para emular el paso del tiempo en imágenes… El problema es que después de poner patas arriba el armario de la abuela, lo único que encontraron fue la triste confirmación de que faltaba imaginación. En esta actitud tan poco ecológica de arrasar con tus recursos culturales, la música popular se ha instalado en un bucle de conmemoraciones y citas en directo con la historia que ha alumbrado situaciones como que Bob Dylan y la leyenda de sus 50 años sobre los escenarios sea cabeza de cartel en un festival poblado mayoritariamente por adolescentes y sus aledaños generacionales.
La música popular se ha instalado en un bucle de conmemoraciones

Todo el mundo sabía este sábado quién era ese señor que a las 21.51 subió al escenario impecable, con sombrero blanco y que les triplicaba la edad (como mínimo). Pero la mayoría era la primera vez que le veía o que se sometía a su cancionero de forma prolongada y voluntaria. ¿Es posible? Pues sí. Y todo el fenómeno sociológico, técnicamente bautizado como “retromanía”, podríamos resumirlo también en aquello tan nuestro de descubrir la sopa de ajo. Pero ellos, al principio, como si nada. Apenas había unos cuantos dylanistas enloquecidos en primera fila, el resto de las quizá 20.000 personas asistían como hipnotizadas al acontecimiento. Como el que se pasea por el Louvre y se para un rato en la Gioconda, por aquello del “yo estuve ahí” y de formar parte del gran tiempo.

Y así, mientras una terrorífica atracción de feria centrifugaba al personal de fondo, Dylan, que entre otras cosas prohibió los focos que siempre iluminan al público y que le hicieran fotos de cerca, arrancó conLeopard-Skin Pill-Box Hat, como hizo en Bilbao. Ya hace que se marchitó aquel característico sonido nasal y hoy luce una voz partida en mil pedazos a la que ha ido acomodando sus temas. Básicamente, convertidos hoy en blues puro y duro y a veces transformados hasta lo irreconocible. Se trajo un piano de cola sobre el que puso su Oscar, el que ganó por el tema Things have changed de la película Jóvenes Prodigios. Pero debía quemarle la banqueta. Porque este es un Dylan inédito, lanzado a explorar la vertiente de crooner, a ratos en pie cogido al micro, contorneándose todo lo que le permite su cuerpo, incluso bailando. Debe andar de muy buen humor el genio, que este viernes aparcó su versión de hombre huraño.

Por su amor a la carretera, Dylan es un monumento en sí mismo

El maravilloso cuarteto que le respalda debe ayudar. No tanto el fallo de sonido que hubo a mitad del concierto, que duró escasos segundos. La fuerza de temas comoHighway 61 contrastaba con un escenario suavemente iluminado, casi convertido en un pequeño club de jazz; quizá el lugar donde en realidad le hubiera gustado tocar. En Tangled up in blue o Things have changed, por fin calentó un poco la sangre a un público igual de satisfecho por la vía contemplativa que perdido a ratos. Él tampoco puso de su parte con un repertorio mucho menos dado a los hits que el que ofreció en Bilbao (y eso que el tipo de público y el evento invitaba a pensar justo lo contrario). Pero ya lo advertía la organización por la tarde: Dylan hace lo que le da la gana. En todo. Solo al final solo logró esa comunión generacional, poniendo a todo el recinto a corear con la concesión en un único bis al himno Like a Rolling Stone. Ahí fue cuando el FIB reconoció casi por primera vez este sábado al gran cabeza de cartel de una jornada en la que Django Django, un fantástico cuarteto de Edimburgo que ha firmado uno de los mejores discos de este año, dieron un concierto espectacular en el escenario de al lado.

En todo caso, era cuestión de tiempo que Dylan y su Gira interminablese cruzaran con este festival, por el que ya han pasado leyendas como Leonard Cohen, Lou Reed, Ray Davies o Brian Wilson. Aunque cuando viene a Europa se trate de una celebración de culto, el cantautor de Minnesota da 100 conciertos al año y se le puede ver en los lugares más insospechados, incluido un casino de una reserva india (o con el Papa, aunque prefieran no oírlo sus fans). Y no es que ande escaso de pasta. Pero como le contestaba a Martin Scorsese: ¿qué demonios hay en casa? Pues poca cosa. Y solo por ese amor incondicional a la carretera, al trabajo y a mirar hacia adelante, Dylan sigue siendo un cuerpo extraño en este mundo chanchullero y pesadamente melancólico.

 

historinhas, imprensa, show

sob a luz da cidade…

parece combinado!

parece que a gente faz a pauta e segue reverberando… mas não é assim que a banda toca!

é a tal da conexão com aTRIPA, manja?

não sei explicar… mas rola, sempre!

prestenção na mensagem que acabou de chegar (são 16h)…

Subject: revisitando…
 “Mauval, adivinha onde eu tava ontem?
A exposição tem uma mostra paralela com fotos do Daniel Kramer, autor da capa, em cima do lance com Zimminho, entre 64-65. Depois conto tudo que minha parca memória lembra que ele falou sobre a feitura de highway 61 revisited! se bem que já tá quase tudo aqui: http://www.empmuseum.org/programs/index.asp?articleID=570
abs!”
Otaner
HAHAHA!
D+!
( :
fotografia, historinhas, torcida

enterrando…

manja certas capas em que ficamos anos & anos delirando em cima?

imaginando como foi feita a foto… como o climão foi conseguido… quem estava presente… a razão dela ser escolhida…

sacumé, né?

pois é, entre muitas outras, passei 120 anos nesta viagem “cabeleira altíssima” com esta capa:

faz sentido o tempo que a gente gasta sobre ela, né?

afinal, onde zimminho estava?

e o fotógrafo, ao fundo, estava de bobeira?

enfim, pra mim, por séculos, esta foto teria sido feita numa sala… talvez, numa passagem de som, ensaio… algo assim.

ok, o mundo dylan sempre foi explorado ao máximo… e TUDO o que você sonhou em saber sobre ele sempre esteve ao seu alcance…. mas se deparar com a realidade de uma imagem que você sempre imaginou diferente é muito devastador…

ah, sim… claro… depois de sacar, exatamente, onde foi feito o registro fica “fácil” imaginar que bob estaria na escada de um sobrado em new york… pegando uma fresca.

ok, e antes? por séculos? hahaha…

toda esta revelação foi feita com ajuda do google maps… que identificou as locações de muitas capas que adoramos.

tiago Xconde, direto da austrália, recomendou a parada, aqui…

http://imgur.com/a/Ry81l

é a tal História… hoje em dia, não argumentamos sobre nada… tipo:

– porra, a foto do highway 61 foi tirada em woodstock. eu li num jornal americano uma matéria de um cara que estava lá!

– não fode, tá doido? eu conheci aquele fotógrafo que aparece na capa. ele me disse que a foto foi num ensaio no méxico!

– caraca, vocês estão intoxicados? a porra da foto é em londres, antes do bob tocar no royal albert hall!

a esta altura do papo, sairia a primeira agressão verbal… para, em seguida, voar a primeira cadeira, procede?

hahaha… bons tempos!!!

hoje, chegaria um “articulado” com o Iphone que, ao primeiro sinal de dúvida, enterraria a verdadeira rede social!

não há mais dúvidas… tudo é jogado nos cornos… todos sabem “tudo”… a imaginação desceu pelo ralo… as cadeiras não voam mais… tudo é muito limpinho… é o jeito da grande maioria fazer o planetinha girar!

o sonho… está na padaria!

depois, neguinho não desconfia a origem do “bundamolismo” reinante!!!

elementar!

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historinhas

zimminho!

quantos da mídia especializada brazukinha estão, a essa hora, questionando a presença – destacada – de bob no festival de benicassim?

hahaha…

será que, em julho, os coleguinhas espanhóis se espantarão com a “falta de hits”, “a voz rouca” e a “falta de diálogo com a platéia”?

que situação, hein?

( :

aliás, desta lista do festival, quase todos já passaram pelo brasa!

agenda

ainda…

Subject: Zimminho
“Mauval,
A leitura do Tico nas últimas semanas foi me deprimindo profundamente, por dois motivos bem claros: 1) não iria no show do Bob Dylan; 2) como é medonha a imprensa “especializada” em cultura no Brasa.
Só que, aos 45 do segundo, como que por milagre, me  caiu no colo um ingresso, na faixa (no Vasco, só para não perder a oportunidade de homenagear), para o show de sábado.
Nem vou me alongar para falar do show, basta dizer que foi destruidor!!!
Talvez não tenha sido o melhor show da minha vida até agora, mas com certeza foi o mais  FODA, dá para entender?
Aí chego em casa completamente extasiado e vejo no UOL, sempre ele, uma pseudo crítica do começo do show (sim, o repórter só se dignou a comentar o início do show, acredito até que nem deva ter ficado até o final), e o cara vem com a ladainha de que o show foi quase o mesmo de 2008, que a primeira música foi a mesma e tal.
Apenas hoje li algo honestamente escrito sobre o show na internet (Estadão e Rolling Stone).
E de toda essa polêmica ficam apenas alguns apontamentos e questionamentos:
1.       Seria o tom da cobertura (especialmente por parte da Folha de SP e coligados) uma espécie de retaliação pela vedação à imprensa oficiala nos shows?
2.       O repertório é o “mesmo” de 2008. Ainda que fosse – não foi – e daí? A banda é uma máquina tão azeitada que poderia ver 365 shows absolutamente idênticos por ano. Aliás, desculpe pela blasfêmia, mas o Macca tocou Yesterday em todos os shows que fez depois do fim dos The Beatles e todo mundo (imprensa) acha lindo!
3.       Se mandaram o Bob Dylan se consultar com o médico do Zezé di Camargo, o que sugerirão quando o Tom Waits se apresentar (fé, sempre) no Brasil?
Forte abraço,”
Leonardo
(S.P)
imprensa, torcida

zimminho no planalto…

parte d’aTRIPA candanga esteve, ontem, cara a cara – pela primeira – vez com mister zimmerman!

relatos lisérgicos/manguacentos informam que o show na capital federal foi estonteante… no mínimo.

tanto que ele, o bob, voltou para o bis com… “rainy day women # 12 & 35” (do blonde on blonde)!!! PQParille!!!

aliás, canção interpretada por dadinho villa-lobos na festa “roNca300”! lembra?

pressão forte no palco… com mistureba cascuda da rapeize do plano, guará, ceilândia, núcleo bandeirante, gama, pirinópolis & blábláblá…

brunex – a yma sumac do paranoá – contou mais que 5 mil “cabeleiras altas” no ginásio!

já rafa – que veio de london, exclusivamente, para o show – garante que dylan dedicou “like a rolling stone” pra ela…

com o poder do olhar!

(mamãe!)

enfim, alex (the teacher) teve que se agarrar às bobetes do conic para evitar invasão do palco…

e pedro (the media man) comunica que o correio braziliense, de hoje, tem zimminho de turbante na cabeça saindo da piscina… num dos momentos mais “verão” testemunhados por nossa majestade!

um pouco antes… ou um pouco depois daqui:

fotografia, historinhas, imprensa, torcida