fazendo história

R I O…

Rock in Opposition or RIO was a movement representing a collective of progressive bands in the late 1970s united in their opposition to the music industry that refused to recognise their music. It was initiated by English avant-rock group Henry Cow in March 1978 when they invited four mainland European groups to come to London and perform in a festival called “Rock in Opposition”.


Practically ignored in their own country, Henry Cow spent most of their last five years touring mainland Europe. There they encountered many innovative groups who were virtually unknown outside their own countries. What Henry Cow had in common with these groups was that record companies were not interested in their music. (Henry Cow’s contract with Virgin Records was cancelled when Virgin found that they were not making money for them.)

Henry Cow decided to expose a few of these European groups to British audiences and organised, with the help of a £1000 grant from the British Arts Council,[1] a festival in London they called “Rock in Opposition” with the slogan: “The music the record companies don’t want you to hear”. The event took place on 12 March 1978 at the New London Theatre with the following groups performing:

While “Rock in Opposition” was never intended to be a formal organisation, the festival did generate “a lot of press around the world”.[2] This prompted the five bands to discuss future plans and in December 1978 they met at Sunrise Studio in Kirchberg, Switzerland to reconstitute Rock in Opposition as a collective. By this time Henry Cow no longer existed as a group, but as RIO’s prime mover its former members still actively participated.

RIO’s primary aim was to represent and promote its members. It was decided that membership should remain closed and small, although new members would be welcome provided they (i) adhered to “musical excellence” (as evaluated by the collective); (ii) worked actively “outside the music business”; and (iii) had a “social commitment to Rock”.[2] Using these criteria, three new members were elected:

A second RIO festival, organised by Stormy Six, took place between 26 April and 1 May 1979 at al Teatro dell’Elfo in Milan, Italy where all seven groups performed, the original four (minus Henry Cow) plus the three new groups. During the festival, the RIO members met formally again to discuss the way forward. However, despite some constructive discussion, disagreements arose between the groups regarding RIO’s role and matters were left unresolved. Two further RIO festivals took place in Sweden and Belgium, but no new meetings, and by the end of 1979, RIO as an organisation had “quietly slipped away”.[2]

Recommended Records

Towards the end of 1978, Chris Cutler from Henry Cow and Art Bears and one of the active participants in RIO, had established Recommended Records (RēR), an independent record label and distribution network for RIO and similar artists. When RIO folded as an organisation, RēR continued RIO’s work by representing and promoting marginalised musicians and groups. RēR became a “virtual” RIO, and “… is part of the continuing legacy of RIO”.[3]

 When RIO ceased being an organisation its name moved into the public domain where it took on the meaning of a music genre.[citation needed] While the term “RIO” was never used to refer to a particular style of music during the organisation’s existence (the original RIO bands were quite diverse musically), it became used by listeners, musicians, and distributors as a means of classifying a particular subset of avant-garde artists – generally bands that appeared at the RIO festivals, or bands related to or derived from the original RIO bands, and artists who showed a distinct musical influence from one or more of the original RIO bands and their spin-offs.[original research?]

Avant-prog (short for avant-garde progressive rock) is a style that appeared in the late 1970s as the extension of two separate prog rock sub-styles: RIO and the Canterbury scene.[4]


A “reunion” festival took place at the Maison de la Musique de Cap Découverte in Carmaux, France in April 2007. The spirit of the original festival was preserved in that only artists of quality, innovation and the willingness to be “in opposition” to the commercial music industry performed. The festival was organised by French music promoter Michel Besset and Roger Trigaux of Present,[5] who received Chris Cutler‘s sanction to use the name “Rock in Opposition”.[6] The line-up at this event included: Magma, Faust, the Peter Blegvad Trio (including Chris Cutler), Present, Zao, Mats/Morgan, Guapo, NeBeLNeST, Salle Gaveau and GMEA.[7]

A second edition of the France RIO event took place in September 2009 at the same venue as the first, and with the following line-up: Yolk, Aranis, The Muffins, Charles Hayward, Kōenji Hyakkei, Present, Magma, Univers Zero, Combat Astronomy, Electric Epic, Guapo and GMEA.[5] The third “reunion” festival also took place at the same venue in September 2010, and featured Art Bears Songbook (UK, USA), Gong (France, UK), Caspar Brötzmann Massaker (Germany), Sleepytime Gorilla Museum (USA), Rational Diet (Belarus), Jannick Top/Infernal Machina (France), Thierry Zaboitzeff (ex Art Zoyd) “Cross the Bridge” (France, Austria), Full Blast (Germany, Switzerland), Miriodor (Canada), Genevieve Foccroulle (Belgique) and Aquaserge (France).[8]

The fourth edition of the France RIO also took place in September 2011, with a line-up of: Arno, Univers Zero + Present + Aranis (“Once Upon a Time in Belgium”), Alamaailman Vasarat, Vialka, Yugen, Gargantua, Panzerballett, Jack Dupon, Grumpf Quartet, Sax Ruins vs. Ruins Alone vs. Ono Ryoko, and Dispositivoperilanciobliquodiunasferetta.[9] The 2011 event was covered in the 2012 documentary film Romantic Warriors II: A Progressive Music Saga About Rock in Opposition by Adele Schmidt and José Zegarra Holder.[10]

Two RIO festivals took place in 2014, the seventh French event in Carmaux in September, and a Japanese edition of the festival in Tokyo in November.[11][12] The line-up for the Japanese event was: Aranis (Belgium), The Artaud Beats (UK), Happy Family (Japan), Kouenji Hyakkei (Japan), Mats/Morgan Band (Sweden), Picchio dal Pozzo (Italy), Richard Pinhas (France), Present (Belgium), Le Silo (Japan), SOLA / Lars Holmer’s Global Home Project (Sweden/Japan).[12] Cutler, who features in The Artaud Beats, said of RIO Japan: “[RIO] is changed of course; back then it was a musician-led exercise in self-sufficiency fighting for new musical forms and independence from the institutions; now it is recast as a celebration of those times and those bands, and of the music they inspired. […] Which, I suppose, is the way it should be. RIO ceased to be ours long ago; now it’s yours. Take care with it.”[13]

The 10th Rock in Opposition festival took place in Carmaux, France on 15, 16, 17 September 2017, and featured Aranis (Belgium), Cheer-Accident (US), faUSt (Germany), Le Silo (Japan), Miriodor (Canada), Trans-aeolian Transmission (France), Gong (France), Acid Mothers Temple (Japan), a.P.A.t.T. (England), In Love With (France), Guapo (England) and Slapp Happy (Germany/England).[14]


D+D+D+D+D+D+ (ou shaNe forévis)…

o monumental z´da maré mandou uma mensagem sobre a celebração do niver 6.0 de shane macgowan, segunda feira passada, no national concert hall (DUBlin), com as presenças de nick cave, bobby gillespie, the dubliners, sinead o’connor, bono, johnny depp e muitos outros… michael higgins, presidente da irlanda, entregou a shane o prêmio “lifetime achievement”… PQP

esse é o mundo civilizado?

clique AQUI para ver a cobertura da BBC

shane veio ao mundo em 25 de dezembro… leNda

nick & bobby aos 3:10 (ou PQParille, mamãe!)…


e os oito comentários desse registro no Utube…

I was there Saturday night. I have been to a lot of gigs in my time, but this was the best gig I have ever been to. I am still on a real high. Thank you for posting this.
This is what its all about: love and unity. People come together <3 this was epic and beautiful
Hands down the best concert I’ve ever been to. What a totally amazing performance!
What a gig, it was utterly incredible
Extraordinary. Beyond words. This man is a God. Soo moving. Best gig I’ve ever attended.
i found myself in this video at 2:44 i have seen this wonderful band many times over the years, and they get better every time i see them Nick is a god like genius, i adore them.
Fucking weeping at work right now.
Amazing concert, moving and mesmerising. So pleased to have been there. Cave is King.

adelzon alves no SGR#12, hoje, às 23h, no dial e web…

o Rádio em sua forma mais verdadeira e inoxidável, logo mais, às 23h, na rua do russel 434… um programa que será cravado a fogo em nossos corações… e que, sem nenhuma dúvida, restará sobre o solo terrestre junto com as baratas e os discos de vinil depois do apocalipse… que, segundo adelzon, será mental (isso, o apô verdadeiro que vem aí fará a humanidade deixar de pensar. mamãe!). portanto, tudo faz mais sentido ainda.

são salvador…



rádio globo AM, FM e web

98.1FM rio, 94.1FM são paulo, 97.1FM recife, 102.1FM santos


(fotografia de carlos alberto)

lembrando (sempre) que adelzon alves é o responsável pela existência artística de paulinho da viola, martinho da vila, nelson cavaquinho, cartola, joão nogueira, dona ivone lara, djavan (ele mesmo), os tincoãs, clara nunes, jovelina perola negra, zeca pagodinho, bezerra da silva, candeia, roberto ribeiro e trocentros outros autores e intérpretes… além de ter aproximado – no programa – os gigantes jackson do pandeiro e luiz gonzaga!

o puro sangue paraguaio…


o clube cerro porteño, de assunção, acaba de inaugurar seu novo estádio “la nueva olla”

e o globoesporte.com informa:

Cerro Porteño inaugura estádio erguido por torcedores e com gramas de 2014

Em menos de três anos, time paraguaio constrói “Nueva Olla”, que custou 5% do Maracanã e teve ajuda de 40 torcedores membros de organizada do clube.

Enquanto vários clubes brasileiros sonham com um estádio próprio, o Cerro Porteño, um dos dois maiores clubes do Paraguai, inaugura sua nova casa. E com um preço de dar inveja a qualquer clube do Brasil: 22 milhões de dólares (cerca de R$ 69 milhões), o que corresponde a 5% do preço do Maracanã (R$ 1,2 bilhão). “La Nueva Olla” levou dois anos, oito meses e 18 dias para ser construído…